Alessandra Coppa
This volume in the Minimum Architecture series features the works, projects and ideas of Adolf Loos (1870-1933), one of the great pioneers of modern architecture.
Isolated from the architectural climate of his day and at odds with the principles of the Vienna Secession, Austrian-born Adolf Loos, with his "Neo-Rationalist" constructions and the reform of architectural language, which opposed the ornament in favour of pure utility, laid the very foundations for the Modern Movement. And yet for Loos the architect's trade was none other than a revival of the skills of both the craftsman and the mason, supported by a profound sensitivity for chromatic and spatial aspects, in the belief that the rooms in a house "stimulated states of mind in the person who inhabited them". This was Loos' theory of Raumstimmungen, which he developed in his writings. It is hardly surprising that his most famous project - which remained an unrealised icon - reproposes the image of an immense black granite Doric column, presented in 1922 for the competition for the Chicago Tribune newspaper headquarters. By transforming a column into a habitable building, Loos' project broke away from the form of the skyscraper of modern American history, and suggested the idea of architecture inspired by Antiquity.
